8 years ago
Translated into political terms, Yeats’s tendency is Fascist...the theory that civilisation moves in recurring cycles is one way out for people who hate the concept of human equality. If it is true that “all this”, or something like it, “has happened before”, then science and the modern world are debunked at one stroke and progress becomes for ever impossible. It does not much matter if the lower orders are getting above themselves, for, after all, we shall soon be returning to an age of tyranny.
FLEET FOXES: THIS SUMMER'S MGMT?
In discussions about guns and the Second Amendment, for example, gun-control advocates are periodically reminded that Hitler banned personal weapons. And birth-control debates are frequently marked by pro-lifers' insistence that abortionists are engaging in mass murder, worse than that of Nazi death camps. And in any newsgroup in which censorship is discussed, someone inevitably raises the specter of Nazi book-burning...invariably, the comparisons trivialized the horror of the Holocaust and the social pathology of the Nazis. It was a trivialization I found both illogical (Michael Dukakis as a Nazi? Please!) and offensive (the millions of concentration-camp victims did not die to give some net.blowhard a handy trope).
WE BELIEVE that clouds are unjustly maligned
and that life would be immeasurably poorer without them.
We think that they are Nature’s poetry, and the most egalitarian of her displays, since everyone can have a fantastic view of them.
We pledge to fight ‘blue-sky thinking’ wherever we find it. Life would be dull if we had to look up at cloudless monotony day after day.
"I had a problem at this big folk festival in Seattle when the rented keyboard I was using wouldn't load my music samples. The audience were waiting a long time and a few yelled out that I should just sing with my guitar, so I started to sing the keyboard parts with the voice, and it sounded great. So when I returned to the studio I decided that I should sing like the keyboard notes, and that the behaviour of the singing should follow suit. Even if it was out of tempo or didn't fit with the other notes, I had to sing it. So a new world of de-tuning and out-of-time notes opened up to me. I discovered that the note that didn't work at the beginning becomes so beautiful that you build everything around it. It's like the story of the ugly duckling that grows up to be a swan."
Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over [...]
And she is all the time trying to climb through. But nobody could climb through that pattern--it strangles so; I think that is why it has so many heads.
They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white!
If those heads were covered or taken off it would not be half so bad.
I suppose I shall have to get back behind the pattern when it comes night, and that is hard!
It is so pleasant to be out in this great room and creep around as I please!
I don't want to go outside. I won't, even if Jennie asks me to.
For outside you have to creep on the ground, and everything is green instead of yellow.
But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way.